Endhiran formerly titled Robot is constantly made at a plan of something like 120 crores which is without a doubt the costliest Indian film ever! Controlled by Shankar, who last steered Rajni in the blockbuster Sivaji, Robot was initially offered to Shahrukh Khan who in the long run turned it down. Later there were bits of hearsay that the motion picture has been offered to Hrithik Roshan yet at last Shankar chose to make it in Tamil, changed the title and offered it to Rajnikant who glady acknowledged it.

We know Rajni is the judicious, thinking researcher, in light of the fact that he peruses Freakonomics and Stephen Hawking, since he talks in English when he gets irate (flippant morons, stunning astonishment, he says) and since he doesn't have sufficient energy to answer to Aishwarya Rai's messages (senseless man).

It additionally has capable enthusiastic scenes, shockingly including the researcher and his creation, Chitti, who can move like Prabhudeva, battle like Bruce Lee, and adoration like Rajni. There's an enormous ethical predicament at the heart of the film, about man and machine, and what makes us human (adoration, obviously, particularly if the object of our affections is Aishwarya Rai).

A Rajni film is not only a two dimensional experience. It's a 360 degrees experience which includes getting connected to the vigor source. There are three Rajni's for the cost of one, well really, a 100 in the enlarged peak. This is a film that makes Bollywood look weak in both its creative energy and goal. It has enhanced appearances that have never been seen previously on Indian screens- -a shape moving goliath, a snake, a human train. Simply think, and Shankar does it.

how would we know Rajinkant is a superstar? Actually, in light of the fact that the opening titles incorrectly spell Aishwarya Rai Bachchan's surname, and the Bachchans haven't boycotted the film. Since he is the no one but who can have 112 missed calls from such an excellent lady. What's more in light of the fact that no one but he can shoot with his finger.

Director : Sanjay Gadhvi  Starring: Hrithik Roshan, Aishwarya Rai, Abhishek Bachchan, Bipasha Basu, Uday Chopra

Can sheer exquisiteness draw off a film? In the event that the starting film industry of Dhoom 2 is any implication, the response is yes.

Each one casing overflows with breathtaking areas (Rio de Janeiro), sublimely tight and tanned figures (Rai reinvents herself as a sex shell and, drum moves here it would be ideal if you even kisses) and uber cool dress (beautician Anaita Shroff Adajania). Be that as it may the propeller motor in this film is Hrithik Roshan. 

Devdas is a 2002 Indian sentimental acting piece filmdirected by Sanjay Leela Bhansali and dependent upon the 1917 Sharat Chandra Chattopadhyay novella Devdas. This is the third Hindi variant and the first film form of the story in Hindi completed in colour.

The film accompanies Devdas (Shahrukh Khan), a rich law graduate, who comes back from his studies in London to wed his adolescence sweetheart, Paro (Aishwarya Rai). Be that as it may, the dismissal of this marriage by his family starts his drop into liquor, at last prompting his enthusiastic crumbling.